ALL I LEFT BEHIND All I left behindALL I LEFT BEHIND by ~NUMBESCAPE07
I left my tears behind
On my pillowcase
So your young shoulders
Won't have to carry their weight
My heart, raised in heaven
Raised by angels in my rank
Grew with love, in so much light
That it developed an air, melancholy and divine
So, in all its frailty
I left it piece by piece
In tiny corners of places small
Which meant the world to me
My soul young, but old with age
Which had seen more than I had
Was dipped in pensive shadows ancient
To behold all that was time
But thread by thread, it broke off me
And swayed in rhythm, in the air
Taught me the dances I'd learnt once before
Only to forget them when I got there
So fragment by fragment, my soul
I left with winds medieval
Which would take it with the in places new
And show it what is seen by few
Roam the lands, and high airs
In unbound frenzy, eu
Verbal TapestryWhen I was a small larva I couldn't wait to grow and become the last coin to drop in the slot or another way for people to ask for your money. Maybe the old bank is empty, empty as a poor man's piggy bank. When you're a man that repels money, you also repel the dreaded fruit flies, that hover the corpse of a dead dream, a dream about happiness and a little time left for the rabbit to eat a stingray. Tradition tells, that every rabbit should do that at least once in his life or he would have seen them coming to a halt. The nearby train scared the crows from the field. Because of that, I had to go hunting until daybreak. They never returned to sender, that is what the sticker on the box said. Maybe the address was typed for speed above all, but the other monks might sleep during the day, but in this place they carve until some poor sap can pay the boat driver or he will leave him standing with the beginning of it all.Verbal Tapestry by ~hrn
HogI guess I'll rot in focus of the blue sun. I find my time wasted more often than not. I will move around in the future, leaving you a skeleton with a party hat. It's time I stop leaving dry water for the cat outside, it's time I begin to leave murals along the bridge of uncertain. I miss the country side, the cows and the trees, creeks under plateaus of earth. Her primary reason for suicide was a vague dream, the smell could have killed you she would say. Heretic psalms, money folder, amplifiers. strips of plywood framing my door like a bowl of rice.Hog by ~OffOut
She's dissatisfied with sexual ambitions and that's fine with you, because you understand how it is to awake only to find your best friend dead in a cage.
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|WELCOME TO EMPTYHEADS!|
It is the philosophy of this club that emptyness made by the numb and negative part of our art (sometimes left on purpose) is meant to be filled with ideas. Which flow upon the paper like the mediums we choose.
Empty heads is about collaboration. Getting to know your fellow surrealists and observe their style and nature of their art.
We hope that by collaborating we can build a tightly knit community of surrealists who will continue to collaborate with each other inspire each other and support one another artistically.
WAYS OF THE GAME
The original recipe:
One artist creates a head...Or possibly a foreground, which then passed (digitally or mail) to another deviant to create a body for the being or surreal object or background.
The original said something about humorous but since the nature of the artwork created resulted in mixed results of mood. I will not require it.
Three musketeer’s version:
One person does a head (foreground) one person does a background and one person provides details/manipulation/colors.
Not so sure on this one.
Or. You can dived a single "canvas" into three sections evenly and create a multi-person exquisite corpse or work freely over the sections to create a montage of style.
One person chooses a corner and works on it. Another person chooses an opposing corner and works on it ECT. So the piece blends but is made up of four evenly distributed sections.
All four work on a variety of details on the piece.
Or four people do minimal drawing as not to crowd the drawing each person does an automatic drawing based on paranoid-critical theory. Where they draw what they see with little intervention, working with and into the pieces that the others drew.
With each person the canvas is rotated. So instead of working off of sections they work on the whole canvas but a different perspective. Much like how my own four ways are created.
This would cause the most skill in making sure everyone used the same medium but also provide some serious collaboration eyes.
So what do you say!
Let's get collaborating folks!
The moderators of this club(The HeadHunters) posseses the power to accept or reject applicants prior to application according to the works found in their gallery. Submissions are subjected to questioning by the administrators(the moderators currently) if the quality of the works are deemed questionable!!...This is a collaborative group so we expect your full cooperation inorder for us to function!!!...respect each other and we'll respect you!!!
How to become a member?
Step 1.) you must be a constant and active creator of surrealist(or in some cases occassional) works. Fantasy and macabre works will not be accepted unless they fit the eyes of the moderators.
Step2.)Note the club with the subject line "Join" requesting admission... a reply note will be sent to you should we find you and your works ideal for the club collaboration.
Step3.) watch us and if you are accepted, we will watch you...Be nice or else!!...Dont forget to put a link or icon of the group in your journazl or signature so that we may know who our members are!!!
Step4.) Note the club with the subject line "Collaboration" IF YOU WANT TO SUBMIT A COLLABORATIVE WORK... or "SUBMISSION" for works dedicated or in line with the philosophy of the EmptyHeads Community...